Aangeboden in Catawiki's Kunstveiling Klassiek (grafiek): De Diamantklover; Carel Lodewijk Dake (1857 – Amsterdam,1918). Mooie originele ets van Carel Dake getiteld de diamantklover 1888. Mooie originele ets van Carel Dake getiteld de diamantklover 1888.Van Stockum's Veilingen - Veilingcatalogus : Boek- en prentveiling november 2. Toon rubriek Old and rare protestant works (1. Orientalia (3. 5)Architecture (9)Bibliography and reference works, typography (7. Biology and medicine (2. Boekenkasten - Varia (5. Children's books and games (1. Dutch history and topography (4. Dutch literature and philology (5. Economy (8. 9)Fine printing and private presses (1. Foreign topographical maps, views and plans (5. Genealogy and heraldry (6)General history and topography, voyages and travels (7. General literature and philology (3. History of culture (3. Indonesia (1. 40)Law (1. Manuscripts and documents (1. Militaria (3. 2)Modern prints from 1. Nederlandse topografie (1. Nineteenth- and twentieth- century illustrated books (2. Old and modern prints 1. Old and rare books (2. Optical prints / Optica prenten (1. Photography (1. 3)Picture plate albums and comics (1. Picture postcards (5)Religion, philosophy, occultism and judaica (2. Science (2. 6)Sixteenth- century books (5)Varia (5. Fine and applied arts (6.
Datum. Kavel. Omschrijving. Taxatie. 11- 1. 1- 0. AARTS, J. J. Woodengraving, printed on cream coloured paper. Mounted with the upper corners and behind passepartout. Etching and aquatinta. Monogrammed and dated '6. Mounted with the upper side and behind passepartout. Etching and aquatinta. Signed and dated 1. Framed.- The first with tear along the plate mark. Behind passepartout and framed. Family page Joseph de Vries, birth Amsterdam, died Amsterdam, occupation: diamantklover Married Amsterdam to: Rachel Kloots, birth Amsterdam 1) Engeline de Vries, birth Amsterdam, died 30 Apr. Left and right margin cut in/on the platemark. Etching, printed in sepia. Signed (illegibly) and numbered N. Signed in pencil. Behind passepartout and framed. Printed in a limited edition of 1. Monogrammed and numbered No. Signed in pencil. Etching, printed in colours. Signed, titled and numbered 1. Mounted with the upper corners and behind passepartout. Etching, printed in sepia. Signed and numbered 7. Mounted with the upper corners and behind passepartout. With unidentified collector's stamp.(1). Signed and titled in pencil. Behind passepartout and framed - Sl. Signed & titled in pencil. Engraving after Van Ostade, with engraved verse. Mounted with the upper side and behind passepartout. Etching, printed in sepia. Signed, numbered 9 and dated '1. Signed with name and location . Mounted with the upper corners. Signed and numbered 1. Mounted with the upper corners. Monogrammed . Signed in letterpress. Signed and titled in letterpress, below the image. Beeldende Kunsten, 1. Etching and aquatinta, printed in colours. Diameter: 1. 2,9 cm. Signed in pencil. Etching, printed in colours, on . Signed and titled in pencil. Lithograph, printed in colours. Etching and aquatinta, printed in colours. Signed, numbered 3. From 1. 89. 0 he exchanged a realistic palette & technique for a more fanciful representation and subject- matter. These works reflect the creation of a harmonious, luminous and gallant world of parks and gardens, nymphs and fountains, fireworks and f. Aquatinta and etching, printed in sepia. Signed, titled and numbered 2. Signed in pencil and with dedication: . Lavereince, with caption and coat- of- arms. Signed in the plate. Mounted behind passepartout (covering the platemark) and framed. Mounted with all corners on cardboard. Signed and dated 1. Behind passepartout and framed. Jacobskerk te Den Haag. Etching, printed in brown. Signed and titled in pencil. Monogrammed and dated '5. Behind passepartout and framed. Signed in ink. Mounted with the upper side and behind passepartout. Drawing in black crayon, partly heightened with black and white gouache and wash. Mounted with 3 corners and behind passepartout. Drawing in pen and ink. Monogrammed . Monogrammed with stamp . Drawing in ink and wash. Signed and titled. Mounted with the upper side and behind passepartout. Drawing in pen and ink. Signed, titled and dated 1. Mounted with the upper side (in 2 places) and behind passepartout. Drawing in (colour)pencil on cream- coloured paper. Signed, titled and dated . Mounted with the upper side (in 2 places) and behind passepartout. Watercolour in sepia- ink. Mounted with the upper corners and behind passepartout. Ca. 3. 0 x 2. 5,3 cm. Signed and dated '1. Mounted and framed (with passepartout). Mounted behind passepartout. Drawing in pen & ink, with wash and watercolour (monochrome). Signed and dated . Drawing in black charcoal. Drawing in black charcoal. Signed, titled and dated April '7. Behind passepartout and framed. Human figures, birds and plants). Behind passepartout and framed. Mixed media, in coloured gouche and black ink. Mounted with all corners. Drawing in pen and ink. Mounted with the upper corners and behind passepartout. Signed in pencil. Behind passepartout and framed. Monogrammed . Copperengraving, printed on . Signed in pencil. Fine print in good condition.(1). Le Blanc II, p. The Liber Veritatis was originally published in 1. The splendid plates depict landscapes, mythological and biblical scenes. Engraving after Pater, with caption & verse (by C. Satirical engraving with caption and verse. Signed and titled in pencil. Mounted behind passepartout. Signed, titled and numbered 2. Mounted behind passepartout. Mezzotint after Brochard. Lithograph (by Delpech) after Scheffer. Etching, printed in sepia, on . Signed and numbered A 4. Oud Den Haag wyd en zyd. Signed and titled in ink. Monogrammed in the stone. Mounted and behind passepartout. Elsheimer, with 2 line Latin text. Signed and dated in the plate: . State (of 2) of the so called . Remnants of mount on upper side on verso. Delightfully detailed image, but with small stains and pinhole.(1). Signed in pencil. Etching after Ruysdael. Signed in pencil. Monogrammed and dated 1. Woodengravings on one leaf. Woodengravings on one leaf. Signed in the plate. Mounted with the upper corners and behind passepartout. Signed, dated 1. 92. Mounted behind passepartout. Etching, printed in sepia. Signed in pencil. Signed, monogrammed and dated '0. Etching, printed in sepia. Signed and numbered 6/1. Etching, printed in sepia. Signed (2x) and titled in the plate, below the image, in typescript. Mounted with the upper corners and behind passepartout. Mounted with the upper corners and behind passepartout. Signed in pencil. Signed (illegibly) and numbered 4- 1. Signed, titled and . Lithograph, printed in green. Monogrammed in the stone. Etching & aquatinta, printed in sepia. Signed and numbered 2. Mounted with the upper corners and behind passepartout. With unidentified collector's stamp.(1). Mounted with the upper corners. VAN (1. 83. 2- 1. Winterlandscape with farmer, horse and cart). Good copy. 9,5 x 1. Signed in pencil. Behind passepartout and framed. Woodcut, printed on fibrous paper. Signed in pencil and framed. Mezzotint, printed in colours. Signed in pencil. Mounted with the upper corners and behind passepartout. With title & index and 2. Loose as issued, in orig. Maris - Gezicht op Freiburg; Ph. A. Neuhuys - Schuilhoekje spelen; W. Maris - Aan de Vreelandsche plassen; J. Breitner - Plein by avond; A. Mauve - Winteravond; W. Steelink - Oud Antwerpen; F. G. W. Oldewelt - Een koel plekje; J. Springer - Duitsch stadsgezicht; J. W. Bilders - Aan den zoom van het woud; Ch. Rochussen - Op verkenning; J. H. Voorburgwal te Amsterdam; C. L. Dake - De diamantklover; W. Steelink - Huon en Almansaris; J. Dake - Na den maaltijd; F. G. W. Oldewelt - Lieder ohne Worte; N. Mauve - Op de heide; Ph. Zilcken - Herfstochtend; J. With title and 2. Zilcken after Apol, Blommers, Dake, Isra. Loose as issued, in orig. Not subject to return.(2. Lancret, with caption. La courtisanne amoureuse. Engraving after Pater, with caption & verse (by C. Wood- engraving, printed on . Signed, titled (?) and dated (illegibly) in pencil. Mounted with all sides behind passepartout. Signed in pencil. Mounted with the upper corners and behind passepartout. Etching and aquatinta, printed in brown. Signed in pencil. Signed . Printed in a limited edition of 1. Signed . 3. 4,9 x 1. Signed, numbered 2. Mounted behind passepartout. Printed in a limited edition of 1. Monogrammed in the block. Behind passepartout and framed. De Groot (Cat. Rijksprentenkabinet, 1. P3. 3. This woodcut, made in the winter of 1. The last state was not actually authorized by Mankes himself: . Signed and dated . Mounted with the upper corners and behind passepartout. Mezzotint with engraved caption and coat- of- arms after Rembrandt and G. Boydell, London, 1. Mounted with the upper corners and behind passepartout. Lithograph, printed in olive- green (by Lith. Lankhout, Den Haag), on . Signed in pencil. Monogrammed and dated '1. This copy with identical image, but different date (orig. Lithograph, printed on . Monogrammed and dated '9. Lithograph (with remarque in the left margin). Signed and numbered . Monogrammed and dated '3. Moulijn himself: . Signed, dated 1. 93. Behind passepartout and framed. Etching, printed in sepia. Signed in pencil. Lithograph, printed in orange by Amst. Boek- en Steendrukkerij, v/h Ellerman, Harms & Co. Monogrammed and dated . Signed and titled in letterpress, below the image. Aan God gebonden / Van menschen vrij. Lithograph, printed in blue. Mounted behind passepartout. Emil Orlik 'Ein Handel (Galizien)'. Dated 8. 3.'7. 1 in the plate. This rare print was found, after Picasso's death in his archives, printed in a numbered edition of 2. According to Bloch, it is unlikely that these bear the signature of Picasso, as it was customary for him (and his publisher) to sign by stamp. Etching, printed in sepia. Signed and titled in pencil. Etching, printed in sepia. Signed (illegibly) and titled in pencil. Signed . Signed and dated '9. Signed and titled in pencil. Behind passepartout & framed. With Ploos van Amstel's trademark on verso.(1). Signed . Mounted with the upper and lower corner on the left. With Ploos' publisher's trademark on verso.(1). Printdrawings after H. Kobell (2 states of the same). Mounted with the upper corners and behind passepartout. Signed . Behind passepartout and behind glass. Etching and aquatinta, printed in sepia. Etching, printed in sepia. Signed and numbered 7. Behind passepartout and framed. Mounted with the upper and left margin. ERIKSSON (Swedish School. Van Stockum's Veilingen - Auction catalogue : Auction sale of books and prints June 2. Show category Book illuistrations designs (2. Books and prints relating to Gorinchem (4. Bibliography & reference works (incl. Woodcut on Chinese paper. Signed, dated ' 3. Haar (4)Ad 1: Wielick H4. Monogrammed & dated 1. Verso another engraving. Dutch Potemkin mutineer 1. Klaasje. Titled (?) in the stone. Mounted with the upper side. Het vertrek van Europa - Egypte brief. Etchings, printed in colours. Signed, titled, dated 1. Mounted behind passepartout. Female nudes & portraits (incl. Monogrammed in pencil. Printed in 1. 00 copies. Signed & dated 1. Mounted on upper side. Signed & dated 1. Vaevo in pencil. Mounted behind passepartout. Etching and aquatinta. Signed, dated '5. Mounted with the upper corners and behind passepartout. Sections with interior decorations, each cons. Engraving with titles by J. C. De kant na de rechter zyde. De kant van achteren na de Oranje- wal. De Kant na de 's linker zyde. Exotic landscape with elephant, rhinoceros, camel and birds of paradise. Mounted with the upper corners and behind passepartout. Signed & titled in pencil. Framed & behind passepartout. Numbered 5/2. 0 in pencil. Mounted with the upper corners. Etching and aquatinta. Signed and dated '2. Linocut, printed in colour. Mounted with the upper corners and behind passepartout.(3)Ad 2- 3: With . Signed & titled in pencil. Framed behind passepartout (3). A bit browned (as usual), last print with traces of glueing. Reguliersgracht Amsterdam. Etching. Mounted behind passepartout - H. E. ROODENBURG (1. Vijverberg 's Gravenhage. Monogrammed & dated 1. Mounted behind passepartout . Leusden, a. o.(4)All browned. Portrait of his father H. P. Signed with monogram & dated 1. Mensch, durf te leven ! Signed with initials in the stone. Behind passepartout.- And 3 similar by F. Beek (5)Ad 1: Bremmer was the advisor of H. Ad 2: front cover of a music score, but with distributor' s stamp. Signed and numbered 1/7. Mounted with the upper corners and behind passepartout. Infant with a cat lying at its feet - Infant leaving with knapsack. Drawings in graphite, one with handwritten caption. Ad 2: Delicate & skilled drawings, appearing to be draughts for a children's book (uniformly sized), but with the caption revealing gruesome details: . With a handwritten annotation on verso: . Title & 7 etchings after P. Short & waterstained. Mounted with the upper corners and behind passepartout. Mounted with the upper corners and behind passepartout. Ancienne chapelle du chateau de chatillon de Corneille. Lithograph with caption by/after G. Mounted with the upper side and behind passepartout. Noordermarkt Amsterdam. Signed & titled in pencil. Boer (3)More or less browned, the 2nd print rep. Signed, titled and dated 1. Mounted with the upper corners and behind passepartout - IDEM. Mounted with the upper corners and behind passepartout (2)Both not in Wagner. Title taken from handwritten annotation on print. Paper with minor foxing. Mounted with the upper corners and behind passepartout.(2)Not in Wagner. Signed and dated 1. Mounted with the upper corners and behind passepartout. Not in Wagner. 1. Signed, titled and dated 1. Mounted with the upper corners and behind passepartout. Oude huizen aan het water in Rotterdam. Mounted with the upper and lower right corners and behind passepartout. Ad 2: The location of the houses is, according to information supplied by the collector, het Groenendaal in Rotterdam, as was depicted by Willem Witsen a decade before. Monogrammed in pencil. Mounted with the upper corners and behind passepartout. Not in Wagner. Paper with a small invisible repair. Signed and dated 1. Not in Wagner. Paper with two unobtrusive spots, but good copy. Series (?) of 5 numbered etchings. Ca. Signed, dated 1. Mounted with the upper corners and behind passepartout. All in good condition. Mounted with the upper corners and behind passepartout. Loods en graanelevator. Aquatinta, printed in sepia on fibrous paper. Mounted with the upper and lower side and behind passepartout.(2)Ad 1: good copy. Ad 2: with annotations in ballpoint on verso. Signed & dated 6. Woodcuts in colours (2). Monogrammed & dated 3. Framed behind passepartout. Friso & king Willem III (4). Mounted with the upper and lower right corners. Portrait of a reclining female figure. Lithograph, printed in colour. With pinholes in all corners. Mounted with the upper corners and behind passepartout. Lithograph with caption. Mounted with the upper corners and behind passepartout. Mounted with the upper and lower left corners and behind passepartout. Monogrammed in the plate (below the image). Mounted with the upper and lower left corners and behind passepartout. Originally published by the firm of W. Nevens, Rotterdam, and printed by Joh. Posthumous print by D. Harting (with his stamp on verso and without the addresses of the above) from the copperplate in his possession. Philip Jansen Ad 2: unobtrusive inkspot and faint foxing. Etching (in copper), printed in sepia, on . Mounted with the upper corners and behind passepartout (1)Dupont 9. Printed in a limited edition of 1. W. This etching, conceived 1. Nogent- sur- Marne, was erroneously labeled by Van Wisselingh as an engraving. Woodcut (from: The ship of fools, 1. Behind passepartout. See repr. Signed & dated 1. The fair stepmother (Ladies of the Loftus family). Stipple- engraving in colours after R. Signed, titled in pencil & . Mounted with the upper corners and behind passepartout. Mounted with the upper corners and behind passepartout.- And 6 similar by the same (8)Ad 1- 2: From the series . Mounted with the upper corners and behind passepartout. Signed & dated 7. Mounted with the upper corners and behind passepartout. Mounted with the upper corners and behind passepartout (2)Minor dam. Thomas. Numbered (7 and 8) copper- engraving with caption after Maarten de Vos. Mounted with the upper corners and behind passepartout (1)Hollstein 3. Early work, from a series of 1. Very good copy, with broad margins and watermark (indeterminable). Mountainous landscape. Scandinavian etchings in colours ) (1. Signed & dated 1. Amsterdam) - Barns at a brook. Etchings. Signed & titled and . Framed behind passepartout (first) resp. Mounted behind passepartout. Behind passepartout and framed. Etching and aquatinta, printed in sepia. Signed and titled in pencil. Monogrammed in the plate. Mounted with the upper corners and behind passepartout. Gasthuishofje Haarlem. Etching, printed in sepia. Signed and titled in pencil. Mounted behind passepartout. Monogrammed & dated 1. Framed behind passepartout. Signed, titled & numbered 7. Framed behind passepartout. Monogrammed in the plate & signed , titled & numbered 2/1. Framed behind passepartout. Rotterdam Aelbrechtskolk. Signed , titled & numbered 1. Framed behind passepartout. Frontcover (undecorated) preserved. Signed or monogrammed in the stone. First leaf loose, but in good condition. With the first three leaves loose, but in good condition. Monogrammed in the stone. Almost all leaves loose, but in good condition. Signed in the plate. Hubert XXII. Signed & dated '4. Framed & behind passepartout. Etchings & aquatintas. Signed & numbered 1/5. Framed (1) & behind passepartout . Etching and aquatinta. Mounted with the upper side and behind passepartout. Mounted with the upper corners and behind passepartout.- And 1 similar (3)Ad 2: Printed for the so called . Amsterdam, Zwarte Bijlsteeg - Amsterdam Stroomarkt - Amsterdam Munt - Amsterdam Westerkerk. Etchings (3rd in colours). Signed & titled in pencil. Behind passepartout resp. Signed & dated 3 nov. Mounted behind passepartout. Probably a later state. Framed behind passepartout. BARTELS (1. 9th/2. Century). Framed behind passepartout. Signed, titled & dated 7. Framed behind passepartout. Meditating mother with her daugter. Signed, titled and numbered 3. A beach terrace with a table and people enjoying the sun. Signed & dated 7. Framed & behind passepartout.(3)Cf. Thieme- Becker XXII, pp. Rare series. 6 Etchings (3 numbered 2, 3 & 4). Signed in the plate (2 incl. Framed & behind passepartout. Thieme- Becker XXII, pp. Signed in pencil. Behind passepartout (2) (4)First 2 prints with traces of glueing. Monogrammed in the plate. Hollstein 1. 62. Late, but probably contemp. Sold in our auction in october 1. Mounted with the upper corners and behind passepartout. Sailboats pulled up on a beach. Etching and aquatinta. Mounted with the upper corrners and behind passepartout. Attractive combination of different graphic techniques. Three kites above a rural landscape. Signed, numbered 5/1. Mounted with the upper corners and behind passepartout. Framed behind passepartout. Signed in the stone & H. View of the Schreyerstoren in Amsterdam. Aquatinta in colours. Signed, dated ' 9. Framed behind passepartout. View of an alley near the St. Jacobskerk in The Hague. Framed behind passepartout.(2). Monogrammed and dated '2. Monogrammed and dated '2. Visscher engraved in the plate (below the image). Behind passepartout and framed (1)Hollstein 1. Hollstein mentions three editions. This second edition published by C. J. From a series of 8 etched landscapes. Paper with light creases & minor spots. Behind passepartout and framed. Most likely a later edition (double border). Mounted behind passepartout (3). Bartsch 5. 6 resp. Copies of 2nd print. Prov.: British Museum(1) & Th. Laurentius.- 2nd print a bit dam. Reguliersgracht Amsterdam. Etching. Signed & titled in pencil. Mounted behind passepartout. View of a road with electricity cables. Signed, dated 1. 93. Mounted behind passepartout. Tempel der Zanggodinnen, 1. Each 3. 4,5 x 2. 4,4 cm. Framed (2. 2) & loose (6. Cohen 5. 31. Complete series of the prints in the best edition, but without the text. Behind passepartout.(1)Publ. Signed & dated 1. Hollstein 9. Anslo, minister of the Mennonites. Etching by S. Savry with text below. Mounted on upper corners.
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